Ivo Prančič: A Retrospective

Opening: 16 May 2025, at 7pm

The retrospective exhibition at the grand gallery of GBJ showcases the extensive body of work of Ivo Prančič, the artist who since the mid-1980s has been developing a distinctive version of non-mimetic and expressive painting. In his works he often uses a dark colour palette and a collage approach in order to address some of the universal and fundamental existential questions of the humankind, while at the same time ontologically analysing the medium of painting and its significance in the period of the ultimate and irreversible dominance of the mechanical image. The exhibition presents a comprehensive overview of his artistic oeuvre spanning across almost forty years, between 1987 and 2024, which means it focuses on the core of his ongoing mature creative period.

Ivo Prančič’s paintings are fundamentally multi-layered and saturated with details, and although they are made without any prior sketches or preparations, except for mental ones, they reflect a fragment of his perceptual world. The artist’s primary intent is to paint, create intuitive painting surfaces that produce pure artistic results with arbitrary meanings. With their colour combinations, transitions and layers, the works are extremely complex to view and understand. Colour layers, brushstrokes, cuts, drip marks and applied objects can be a unique reflection of the world in all its complexity and multiplicity. Perhaps they reflect the cacophony of information, meanings and relationships in the modern world, a kind of a map of the various nuances of life, which over time becomes more complex and increasingly difficult to understand. Although he was always committed to non-mimetic elements in the spirit of abstract expressionism and art informel, his practice has also changed and developed greatly over the course of his forty-year career. He went through several creative phases, connected by a shared starting point in the formal and technical challenge of painting. The painting remained his central fixation while the painting process leads him on to new explorations and new challenges. As the artist stated, the content and form of his works are inextricably linked or merged into one, while his concept is always the process itself.